The E-Kit To The Rescue

E-Kit | Beebower Productions

For as long as I can remember it held a place of honor in the van.  It overflowed with tools, gadgets and a lot of zip ties.  That sucker easily weighed a ton.  However, we gave much honor and respect to the monstrous, gigantic, blue E-Kit.

My Dad’s emergency kit often saved the day when photographic disasters reared their ugly heads.  The calamities ranged from an unruly tree branch encroaching on a photo to an urgent need for a homemade flag. 

On our photo shoot at Madera Canyon in Arizona the sun shifted dramatically throughout the day.  We combated the pesky rays of light hitting our hummingbird set by placing multiple flags on light stands to block the light.  Eventually we ran out of flags. 

Broad-Billed Hummingbord at Mexican Cigar Bloom | Beebower Productions

The E-Kit rode to the rescue.  Within a few minutes I’d whipped up a solution to the problem by duct taping a cereal box to a light stand’s arm.  Dad got some great photos thanks to that little flag.

Dad’s photo shoots often took place in remote locations like ranches in the Rocky Mountains or the deserts of Arizona.  Stores and help were far, far away.  So Dad took everything he could imagine needing in the E-Kit.

“Sometimes a ‘fix’ from the E-Kit didn’t play a major part in a photo but we couldn’t have found the stuff on location,” Dad said.

Cherry Cobbler | Beebower Productions

The kit saved “Cherry Cobbler”.  Dad created this mouthwatering picture for his book “Legends of a Range Cook”.   To get an authentic feel to the photo he went on location and set up the campfire with the Dutch ovens and tools.  However, the wind kept blowing the tools around so Dad dug into the E-Kit and used some wire to lash them in place.

When Dad and his brother Gordon ran their commercial advertising studio, they had to deliver fantastic photos no matter what went wrong.   Both their reputation with art directors and their income rode on delivering despite what obstacles lurked around the corner.  After a short time in the business they became highly motivated to anticipate problems.  It required, however, becoming a jack-of-all-trades with a working knowledge of all sorts of tools.

Dad said, “You don’t know what’s going to go wrong and what you’ll need to fix it.  Basically you’re trying to make something be what it’s not to get the photo. But if you’ve done it right no one will be able to tell what you did either to fix the problem or put it back like you found it once you’ve got the photo.”

Stealing a Great Idea

My Uncle Gordon got the idea for the E-Kit at his first post-college job working for another professional photographer.  He observed this photographer not only used an E-Kit, he also bought bags for light stands, arms and other things in the commercial photo studio.  This made going on location a breeze because gear didn’t get tangled up in transport. 

Uncle Gordon talked to Dad and they decided to swipe both of these ideas.  As former Boy Scouts both guys loved the motto “Always Be Prepared”. 

Their first E-Kit was significantly smaller than the monstrosity I grew up knowing (and secretly hating when I had to try to pick it up). It proved to be inadequate for the amount of stuff they routinely needed on location shoots.

Meanwhile Dad observed one of the worker bees at another studio creating bags of all sorts using an industrial sewing machine and heavy-duty tarpaulin.  The material came in several thicknesses, all with bonded coating to make them waterproof.  Even better, the material wouldn’t rip.  You literally had to cut it to create a break in the fabric.

So Dad purchased an industrial sewing machine, tracked down the fabric and got started on a long career of bag making.  He designed the E-Kit bag with inner and outer pockets to make finding smaller items easier.  He left a large center well open well for items like staple guns and saber saws.  He also added heavy-duty straps for carrying the whole shebang. 

Heavy Duty Rottweiler

Problem solved.  Well, mostly.  As I mentioned the bag weighed about as much as a hearty, full grown Rottweiler.  Perhaps I exaggerated a bit.  Nope.  Now that I think of it, I’m certain it was in Rottweiler range. 

Back in the day it took two people to pick up the thing.  Dad, however, could heft it around by himself. Now Dad’s paired down the bag a bit since his commercial photography days are over, but it still weighs in at a chunky 40 pounds. 

Because the bag weighed so much, it mostly stayed in the van on location shoots.  If he needed something, Dad would send an assistant back to the vehicle to rummage through the E-Kit. 

When he was shooting “Evening Stage” he did send an assistant back to the van to get wire.  Dad needed to fasten flour sacks filled with Fuller’s earth to the backside of the stagecoach.   Each time a wheel made a rotation, it hit the bags releasing some of the stuffing and creating dust that made the sun’s rays really stand out. 

Evening Stage | Beebower Productions

Dad came up with this special effect on the fly.  Thanks to the E-Kit and a friend who had the flour sacks, everything came together to make one very believable piece of Old West art.

In making Western pictures like the stagecoach, Dad often sketched out his ideas before heading out to shoot.  One time he envisioned a winter photo in the corral at his friends’ ranch, but he knew he’d need extra lighting.  While still at the studio, he built a light with a strobe head inside to illuminate the model.  Then he headed to Colorado for the frigid photo session. 

Winter Pack Trip | Beebower Productions

Once on site, Dad secured the light to the fence with a drill.   Since this was a regular item in the E-Kit, Dad didn’t give the drill a second thought.  The photo turned out great and the ranch returned to normal by the end of the day.  Everyone was happy.

So a well-designed E-Kit can make or break a photo shoot.  It even helped Dad be a more creative artist as well as a problem solver.  He crafted “Buckboard Cowboy” by combining multiple photographs to make one Old West photo.  After shooting the cowboy driving the buckboard, Dad realized he’d need to add more dust coming up from the horses’ hooves to make it believable. 

Buckboard Cowboy B&W | Beebower Productions

While on location, Dad took a 2×4 from the E-Kit, wrapped it in blue screen fabric and stapled the fabric to the wood.  Then my mother hit the sand repeatedly while he shot the resulting “dust”.  The blue screen fabric allowed him to seamlessly cut out the dust in Photoshop and add it to the big picture composite.  It may have been a small part of the overall photo but that attention to detail combined with the other elements made a realistic photo for the viewers.

Blue Bag O’ Tricks

So you might be wondering what Dad keeps in that magic blue bag of tricks.  We’re going to tell you.  In fact, we’ve provided a complete list for you.  Just enter your email address and then download the list.

But first, one additional note.  Each time Dad goes on a shoot, he evaluates what he thinks he might need.  Anything not on the original list gets added to the bag.  For example, he’ll throw in a few garbage bags if the forecast looks especially wet.  He’ll add a shovel for super snowy locations.  You get the idea.  This is a list of basic supplies.  Tweak it to fit your individual situation.

 

Enter Your Name & Email To Download Your FREE E-Kit Check List

When Photo Shoots Fail (2)

Mysterious Sanctuary | Beebower Productions

Every professional photographer experiences failure. Sometimes we spend a lot of money to travel to a fantastic location for a limited amount of time and a giant storm hits tanking our plans. Maybe a crowded photo hot spot with lots of restrictions makes it challenging to get one photo much less multiple show stoppers. Occasionally the wildlife we drove hours to photograph decides to play hide and seek. Or maybe the mirror fell out of our camera halting all photos (true story).

Plenty of things can make photography stressful. What happens when photo shoots go awry? Do we give up and go home? Nope. We turn lemons into lemonade.

Plan B or C or D

When a shoot goes sideways, Dad and I take a step back to assess the situation. How bad is it really? We try not to get stuck in our preconceived shots and panic. We look around for a “Plan B”.

Take my situation at Garrapata Beach in Big Sur, California. I’d planned a sunset shot at the beach but a giant fog bank rolled in five minutes before the big show. I’ve done enough outdoor shots to realize things don’t always work out.

So when I arrived at the beach, I scouted out my sunset spot and then proceeded to explore other photo opportunities. Golden light bathed the entire coast in beautiful color, making it the perfect time to shoot other pictures. I photographed some unusual rocks and then I found one of my favorite photos, Footprints in the Sand.

Footprints in the Sand | Beebower Productions

It pays to ask, “What if this photo doesn’t work out? What’s Plan B or C or D?”

Because I remained flexible and I exercised the “what if” scenario, I walked away with a multitude of photos. I even shot the original sunset photo. It wasn’t the glorious explosion of color I’d imagined, but the cool, sinister look drew me in anyway.

Fog rolls into Monterey Bay often. Because it interfered with my planned shots so frequently I learned to use it in my photography. When I set out to photograph Asilomar State Beach, I envisioned beautiful sunrise colors and light hitting the rocky coast. But a giant fog bank rolled in early that morning. So I combined the fog and a long shutter speed to create Mysterious Sanctuary (the photo at the top of this blog) where the waves and fog blend together giving the photo a soft, enigmatic look. The muted colors add to the mystique.

Garrapata Trio | Beebower Productions

Just like me Dad experienced weather issues in his quest to shoot a spectacular high country elk hunt for a client. He’d traveled to Northern California’s Mt. Shasta. A blizzard shut down his location scouting. But the next day dawned clear and snow free.

Unfortunately when the crew arrived at the mountain clouds enveloped in the peak completely. Dad’s “Plan B” involved turning around. Directly behind him was the perfect spot for his elk-hunting photograph. Had he remained locked in to his original plan, he would have run way over budget and his client would have lost confidence in him.

Dad said, “You certainly have to be flexible, sometimes almost instantaneously. One minute the area looked great and the next minute a big cloud covered up the mountain. The art director was getting nervous. But I always try to have something, a Plan B. Sometimes that ‘something’ actually might be better than the original, if you’re lucky.”

High Country Elk Hunt | Beebower Productions

That mentality helped Dad out years later when he traveled to Keyhole Arch at Pfeiffer Beach in Big Sur. He loved the photos he’d seen of a shaft of light blasting through the arch. But that phenomenon only happens for a limited time in December. Due to other circumstances, he couldn’t be there in December. That didn’t deter Dad though.

He shot the arch and sunset at the same beach, but separately. Then he used some Photoshop magic create a piece of art in his own unique style.

As Ansel Adams said, “You don’t take a photograph, you make it.”

That requires staying flexible and alert for new possibilities on every photo shoot. Thinking outside the box doesn’t hurt either.

 

Keyhole Arch | Beebower Productions

Stack the Deck in Your Favor

Consistently making great photos entails being adaptable on location. However, a little preparation goes a long way in a successful photo shoot.

If you’re going to a new-to-you location, do the research. Find out things like the weather patterns for that time of year. Discover what challenges exist there. Find out about photography permits. Unearth sunset/sunrise charts and tide charts. Pinpoint services like gas stations, grocery stores and camera shops. See what other photographers share from shooting at that same location. And get reliable directions so you don’t miss the event because you’re lost. GPS coordinates often save the day.

If you’re photographing animals, learn all you can about that specific species. Dad and I delved deeply into the lives of hummingbirds before planning a shoot at Madera Canyon, Arizona. We learned their food preferences, including specific flowers, migration routes and times, behavior around other hummingbirds and where different types hung out in the United States.

That helped us narrow down a shooting location to Madera Canyon. Then we researched other photographers’ experiences in the canyon. That led us to the Santa Rita Lodge. We knew that the lodge kept year round bird feeders and that thousands of birds migrated through the area each year. We put ourselves in an area that had lot of the animal we hoped to photograph. Dad took one of his all time favorite bird photographs thanks to our diligent research.

When we go on a photo shoot, we know that it might take more than one day to shoot what we really want. Wild animals don’t necessarily cooperate and Mother Nature often throws us curve balls. So when possible we try to build in enough time at a location to work around those things.

We also realize we may need to return another time. We spent a week at Madera Canyon on two different trips. I returned to Asilomar State Beach five times before I shot Mysterious Sanctuary. Persistence, patience, and determination play a huge role in successful photography.

Broad-Billed Hummingbird at Yellow Bell | Beebower Productions

Test that Gear

While research sets us up for victory, our gear can literally make or break our photo shoots. We test and retest our gear before heading out in the field. Obviously that won’t prevent a mirror from falling out of the camera, but it does do two things for us.

First, we can quickly see if everything’s functioning well. As I mentioned in Part 1 of this blog, I recharged my camera batteries before heading out to sea. Normally I test all of the gear before leaving, but I was in a hurry that day. If I’d run a quick camera check, I would have noticed the batteries weren’t holding the charge well. I could have purchased new batteries instead of sweating bullets and doing photo triage. Lesson learned.

Second, we know how to operate our gear without thinking so we don’t miss a shot. That confidence comes from lots of practice when the pressure’s off. When we’re in the middle of a shoot, we don’t have time to think about how to set our camera’s white balance or how to cut the power in our flash. It needs to be automatic so we can focus on composition and capturing the moment.

Spicebush Swallowtail Butterfly | Beebower Productions

Take a Chance

Sometimes, no matter how well you plan, things don’t turn out as you expected. Case in point: Dad’s trip to Antelope Canyon in Arizona. He’d researched and decided to pay extra for the “photography tour” because photographers supposedly got more time to shoot in the canyon.

Unfortunately other tours ran through the same space at the same time, so it was a sea of humanity. Dad traveled light with one lens and a monopod. But even with that limited amount of gear he couldn’t maneuver well because the tour guides packed them in like sardines.

My Dad’s a perfectionist. So these conditions caused him to itch like a bad case of poison ivy. He knew he had limited time in the slot canyons. He also knew he wouldn’t be back in the area for a long time. So even though he really needed a tripod for a long exposure, a few hundred less people walking through his picture and something to keep the blowing sand off his camera, he took a chance. He hung back from the tour group, braced himself on a wall and waited for a two second break to snap this photo. He didn’t even have time to bracket before people started flowing through again.

If you know this is your one chance to capture an image but the conditions aren’t exactly right, take a chance. You might just be surprised at the results. Dad was.

Antelope Canyon | Beebower Productions

Sipping Lemonade

So the next time a photo shoot doesn’t work out as planned, take heart. We’ve all been there. Get creative, come up with a Plan B or C or D and take a chance. A positive, can-do attitude goes a long way in photography. These character-building situations create wisdom and confidence in dealing with future “failures”. Plus you might just get some tasty lemonade out of those lemons.

When Photo Shoots Fail

Pfeiffer Beach Drone | Beebower Productions

We arrived early and staked out our spot on the beach.  We waited patiently with other photographers for sunset at the magical Keyhole Arch at Pfeiffer Beach in California. 

Then we heard it.  A distinct hum filled the air and the heads of 12 photographers swiveled to and fro searching for the source.  It was… it was a drone, the bane of still photographers.  Most of us assumed the drone operator would be polite enough not to fly through our shot.  Flying above us was fine, but not through our scene.  We were wrong.

By now the sun had begun its slow descent into the ocean, so our gaggle of photographers, including Dad and I, quit looking at the drone and focused on capturing the moment.

Not two seconds later, that hateful little drone sped in front of the arch and zipped down the beach.  I heard a few muttered curses as our fellow photographers realized what was happening to their beautiful sunset shot.

I, meanwhile, focused on a rock formation far down the beach.  I thought I was in the clear.  I, too, was wrong.  The drone raced toward my rock.  Sure enough, it flew right through my photograph.

For anyone that possesses Photoshop skills, removing the drone from the image isn’t a big deal. I readily admit drones have produced some amazing footage never seen before.  But they’ve also annoyed a lot of people.  In this case 12 angry photographers kept shooting while plotting the drones’ demise.

So what happens when photo shoots go awry?  Do you give up and go home?  Let’s take a look at some of the most common reasons photo shoots fail.  Next week we’ll show you how to turn lemons into lemonade. 

Garrapata Trio | Beebower Productions

Mother Nature’s Grumpy Side

Everyone talks about the creative and nurturing Mother Nature.  Photographers give her credit for stunning sunsets, beautiful rainbows and amazing fall colors.  But this venerable lady has a petulant side.  It’s not pretty.   Mother Nature can ruin the best-laid photography plans.

Dad needed a spectacular backdrop for an elk-hunting photograph. A blizzard in California nearly spelled defeat.  Semis slid off icy roads, wet snow fell and one team member lost his wallet full of money as they scouted locations.  Things just kept getting worse.  Route 5 near the border of California and Oregon shut down one hour after Dad’s crew found a good spot for the photo.  Mother Nature forced the team to hole up at a hotel and wait for the calm after the storm.

Mother Nature’s bag of tricks includes other elements like fog.  When I planned a sunset shot at Garrapata Beach in Big Sur things looked great.  A few puffy clouds floated above the ocean, suggesting a spectacular sunset with the colors of the sinking sun brushing the sky in rich hues.  I could see a fog bank way out in the Pacific, but it seemed so far away that I didn’t think it would be a factor.  Wrong.   That fog bank hopped the express train to the shore and completely blacked out the sunset.  I took a few shots anyway, but they were duds.

Coastal California’s winter storms pack an even more debilitating punch than fog.  High wind gusts knock down trees and giant waves wash away parts of the coastline.  After these storms Point Lobos State Park often shuts down until the staff gets things cleaned up.  I frequently found myself patiently waiting for the gates to open.

Closed Point Lobos Beach | Beebower Productions

Even after getting in the park, one beach remained closed every single time I tried to visit.  A storm washed out the staircase down to the beach and then harbor seals used the beach for pupping part of the year. Over the entire two years I visited the park, it never opened.

Photographers have a love/hate relationship with Mother Nature.  But she’s not the only force that can sabotage your photos.

McWay Falls with People | Beebower Productions

People Creating Problems

If there’s a rule, people love to break it.  I, along with about 20 other photographers, waited on the cliff high above McWay Falls in California for the sunset.  My mouth hit the dirt when I saw a group of people scrambling down the cliff toward the waterfall. 

Every two feet there’s a sign stating the beach was closed for safety reasons.  Not only that, the giant gaggle of photographers stretched from one end of the overlook to the other.   Obviously they were trying to shoot the waterfall.

This group of people walked right up to the waterfall and began a private photo shoot on the beach. I know they are hard to see this small version of photo but if I blew it up for a large print they are definitely visible.  Like the drone shot, the people could be removed in Photoshop.   But it was rude.

Sometimes the problem isn’t respect rather a lot of people crammed into a single small space.  One summer Dad found himself squished into the mass of humanity touring Antelope Canyon in Arizona.  The elder Navajos consider the canyon a cathedral where one should stop and prepare to be in touch spiritually.  While Dad was in awe of the slot canyon’s grandeur, it was hard to be in sync spiritually or photographically due to the sheer number of tourists running back and forth. 

The enormous traffic jam stretched through the entire narrow, winding quarter mile canyon.  Dad realized it was going to be mighty tricky to capture a decent photo without folks stepping into his picture.  He also battled sand that blew down from the rim on to his camera gear and mixed lighting that made him wish for a tripod.  But the rules said no tripods.  He would have to work very hard to capture even one image.

Whether they’re photo bombing pictures or squeezing photographers out of a prime shooting spot, people often force photographers to be more creative and work harder to get the shot.

Hugh on Monteray Bay | Beebower Productions

Animals on the Run

Like people wild animals can be downright uncooperative.  Recently our whole family embarked on an adventure to photograph elk in Pennsylvania.  After a lot of research we developed a very solid plan.  We’d stay in a cabin near a known elk hang out.  The cabin came with a built-in photography blind plus we’d be able to use the van as a rolling blind.  We tallied the odds heavily in our favor.

Unfortunately we got stuck in traffic and then took a meandering detour, so we were running late for our check in time.  We blew past a herd of elk on the way up the mountain.  Turns out those would be the only elk we would see on this trip.  Yep.  Not a single elk for two days.

On another adventure I took Dad on a whale-watching cruise in Monterey Bay, California.  I planned it during peak whale season, so a photo should have been pretty easy to come by.

I’d sailed with the Sanctuary crew before and always returned home with some treasure: photographs of a whale, a dolphin, sea lions, harbor seals, something.  Dad wasn’t so lucky.  We stayed on the water two and half hours.  Zilch.  Zero.  Nada.  Dad’s never looked at whales the same since that ill-fated trip.

Wild animals often disappoint photographers.  They are, after all, wild.  Capturing images of them requires persistence and patience.  But it really hurts when your gear fails you.

Variegated Fritillary Butterfly | Beebower Productions

Gear, Gadgets and Disasters

Beautiful light hit the flowers perfectly.  The butterflies flocked to my garden with the warm summer air.  I was getting great stuff.

The tinkling, clinking noise totally caught me off guard.  It sounded as if it came from inside my camera.  With dread I removed the lens and realized the mirror had completely detached and fallen out.  Thankfully it wasn’t broken but it did need a trip to Canon’s repair center for some TLC.

A couple years after the dreaded mirror incident my rechargeable camera batteries began playing mind games with me.  Unfortunately I first noticed the problem while bobbing on a boat in Pacific Ocean.

I’d diligently recharged my batteries the night before my big boat trip.  In fact, I had five batteries charged and ready.  So you can imagine my surprise when I noticed the low battery icon flashing on my camera display.  I’d only taken five photos.  It was strange, but I swapped out the old batteries for new and focused on shooting.

A few minutes later, the low battery icon flashed again.  What in the heck?!  Every battery did the exact same thing.

I was forced to shoot a frame and turn off the camera. Then I’d turn it on briefly with a fully charged battery to shoot another frame before the display began blinking again.  Not ideal.  I missed shots.  I got angry.  Then I drove home and bought five new batteries.  Rechargeable batteries do have a shelf life.

The Bottom Line

Nobody likes to discuss it, but there are plenty of reasons photo shoots fail—even for professional photographers.  But you don’t have to give up in defeat.  Next week we’ll take those lemons and tell you how to turn them into lemonade.

10 Fall Color Tips

Packhorse Rider in the Fog | Beebower Productions

Every year fall’s rich color palate creates a stampede of photographers looking for “the” shot. Over the years Dad and I learned a few lessons that helped us track down amazing fall displays.  Save yourself some time and use these tips to create a memorable fall photo shoot.

Location, location, location! 

As with any photo, location really makes a difference.  Parts of the country stand out as fall color hot spots.   Well before fall rolls around, we do a lot of research before we even think of picking up the camera. 

First we study the potential locales, both well-known spots and off-the-beaten path. California’s Sierra Nevadas, Colorado’s San Juans, Virginia’s Shenandoah Valley and the entire state of Vermont, to name a few, offer wonderful autumn hues. 

Our research includes photography-specific information such as key spots to photograph, permit applications, sun positions, weather patterns and hiking guides.  We also scope out hotels, restaurants and transportation.

Timing Is Everything

We pare location intel with websites and social media for leaf color reports.  Even if you know where to go for fall color, timing really is everything.

Just because the leaves in the San Juan Mountains hit peak color the first week in October last year, doesn’t mean they will this year.  Temperature, soil moisture and sunlight influence fall foliage displays.  An early frost, a drought or even a windstorm can change or curtail autumn’s pageantry.

Thanks to the Internet many areas provide fall foliage reports in real time.  Several I find useful include:

www.californiafallcolor.com

www.fs.usda.gov/detail/r3/recreation/?cid=stelprdb5323844

Shenandoah National Park’s facebook page

www.weather.com

www.foliagenetwork.com

https://smokymountains.com/fall-foliage-map/

Don’t over look local connections like chambers of commerce or message boards from that area.  All of these sources help us to pick the perfect time to shoot while capturing the maximum amount of stunning color.

Colorado Aspens | Beebower Productions

Stormy Weather

Once we find an ideal location and know when to hit the road, the fun begins.  You might think shooting at sunrise and sunset produce great results.  They do, but don’t overlook cloudy, stormy or foggy situations. 

An overcast day works like a giant soft box, allowing details that would normally fall in the shadows to be seen.  It extends your shooting time from just a couple of hours to all day. 

A stormy or rainy day helps to super saturate those fall tones.  Water drops on leaves also can make an interesting close up.

Fog helps create an air of surreal mystery and really makes the colors pop.  Dad made good use of fog in the photo at the top of this blog. 

So don’t overlook those less than stellar weather days.

Fall Meets Winter | Beebower Productions

Use the Light

Backlight or sidelight shining through a leaf really makes the color pop.  It also shows off the veins and texture of the leaves. 

If you’re not convinced this duo creates zing in fall photography, slowly walk around a tree and observe the light.  Backlit and side lit leaves will glow with color while front light flattens the color.

Golden Aspen | Beebower Productions

Leaves and Other Stuff

Don’t limit your photographs to just trees.  Include the surrounding landscape. Mountains help give context to the size of the color displays.  Lakes, rivers and ponds create beautiful reflections of that autumn color. 

Additionally a myopic focus on trees might cause you to miss the smaller shrubs and grasses that are also changing color.  Don’t overlook including those in your photograph.  They provide layers of interest for your photo.

Lundy Beaver Pond | Beebower Productions

Change Your Perspective

To create a unique image, change your perspective.  Look up.  Look down.  Don’t just fill the frame with row after row of trees shot at eye level. 

Dad created a memorable image by getting down on the ground and shooting up into these aspens with a wide-angle lens.  The tree trunks lead the viewers’ eyes straight to the explosion of color at the top of the trees.

Glowing Aspens | Beebower Productions

Isolate Colors and Details

Fall photos don’t have to be all about the trees or shot strictly with a wide-angle lens.  Use a longer lens to create an intimate image.  Isolating the leaves and the colors can be very effective.  The lack of color in these leaves allows the one colored leaf to really pop when shot with a 70mm lens.

The Remains of Fall | Beebower Productions

Use Complementary Colors

Artists often use the concept of the Color Wheel to create striking images.  The wheel literally shows primary colors on one side and their complementary colors on the opposite side of the circle.  For example, orange complements blue.  Green complements red.

How does that help in foliage photos?  The complementary colors give the photo contrast, creating energy in the picture.  In this photo, the blue of the sky and the orange colors of the aspens stimulate the viewer’s senses.

Fall Aspens | Beebower Productions

Use a Polarizing Filter

A polarizing filter helps with the reflective nature of leaves.  A waxy coating called the cuticle covers the surface of most leaves.  The coating helps plants retain water and protects it from infections.  But when sunlight hits the leaves, the wax creates a reflection.  Photographers see one of two things, sometimes both:  glare or dulled color. 

Polarizing filters cut through the glare, allowing the true colors of the leaves to really pop.  They also remove glare from water, another element you might be dealing with on your fall photo adventure.

Dad and I love the Singh-Ray LB warming polarizer.  Not only does it remove the glare, it adds a punch of warm color to the scene.

Fall Aspens and Cowboy | Beebower Productions

Use a Tripod

Most of the time shooting during the day doesn’t require a tripod.  But every once in a while it does.    

Using a filter, any filter, cuts the light reaching your camera.  That affects the exposure, often slowing down the shutter speed.  If you’re shooting water with your fall foliage, that slower exposure can look fantastic.  Depending on the water’s rate of movement and the length of the time the shutter stays open, the water can look silky to foamy.

In any case, a tripod and camera pared with a cable release help make sure you don’t ruin a great photo because of human error like camera shake.

Little Sur River | Beebower Productions

So there you have it, our 10 best tips for capturing fall color.  We hope you enjoy your fall foliage adventure.  Let us know what you learn along the way.

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